
Wednesday, August 3, 2011
Architects of Air

Tuesday, August 2, 2011
Cordially Yours
To enter a gallery and engage in a warm chat with the curator is unusual. But when Enrico Gomez detailed the concept of the current show at Camel Art Space, this refreshing welcome suddenly made sense.
All too familiar with closing phrases of letters requesting consideration for exhibition, the artists who run Camel decided to help water these budding portfolios of potential. The aptly named Cordially Yours is a show made up of cold submissions from emerging artists, democratically selected by the staff after careful consideration of each portfolio submitted the past year. They each made a list of favorites, then voted on the best from each other’s lists based solely on the work itself rather than names, resumes or personalities.
Cosmic sculptures and collages from Ontario’s Liam Wylie stole the show. But the whole of this global collection of seven emerging talents is worth a look.
Cordially Yours is on view until August 14th at Camel Art Space in Williamsburg.
Monday, August 1, 2011
Live and Let Die

Video still from Nadja Verena Marcin's Grand Slam. Photography by Jessica Benett via NURTUREart
In the current installment of NURTUREart’s weekly exhibition series We Are:, Guillermo Creus of Fortress to Solitude curates “Live and Let Die.”
This week, three artists exhibit one work each that combine to fill the gallery with an unsettling tension. Sarah Frost’s paper sculpture of a machine gun is the first sight upon entering the space. It sits low to the ground, stark white and menacing. Upon visiting her website, it seems to be a piece from her larger installation “Arsenal” at The Contemporary Art Museum St. Louis.
Taking perhaps one of the most direct approaches to addressing the relationship of art and money, Ash Sechler stacks a thousand one dollar bills in a neat (surprisingly short) pile in the middle of the gallery floor, forcing the viewer to call into question the value of the piece.
In Nadja Verena Marcin’s video performance, Grand Slam, the artist plays a one-sided tennis match projected high on the gallery walls. In hectic hand-held camera shots, her high-contrast black and white figure ricochets in a blank, indecipherable space. Diegetic echoes of grunts and racket strikes and the echoes the video creates in the high ceiling of the gallery, coalesce into a single anxious soundtrack to the show.
Each piece exudes a matter-of-fact bravado that underscores the visceral reaction their forms incite. See more from each artist below:
“Live and Let Die” is on view at NURTUREart Gallery in Bushwick.
Friday, July 29, 2011
Light Hits

Thursday, July 28, 2011
Ira Glass on Storytelling
Monday, July 25, 2011
Brea Souders
Monday, July 18, 2011
Louise Despont



