Samuel Rousseau "Untitled (The Tree and Its Shadow)" 2008-11, via Parker's Box
Having recently completed his residency at PointB studio in Williamsburg, French artist Samuel Rousseau presents a reaction to his environment in his latest solo exhibit at Parker’s Box.
In Brave Old New World Rousseau continues his tradition of adding movement to sculpture using video projections. Swaying leaves and twigs are projected through a bare tree, casting an animated shadow. He projects billowing smoke and fire onto symmetrical cutouts of apartment buildings and skyscrapers to create apocalyptic Rorschach inkblots. Gel capsules sealed in blister packs each contain a bird's eye view of a man walking its perimeter, an illusion Rousseau achieves by placing video behind the translucent pills.
In Williamsburg, a penchant for the old world has evolved into the borough’s brand. Rousseau takes this notion and expands it to address New York’s shifting position on the totem pole of global cities. New York appears increasingly rusty when compared to emerging metropolises like Abu Dhabi and Chonqing. Here, Rousseau draws an optimistic paranoia from New York’s illustrious, immortal spirit.
Brave Old New World is now on view at Parker’s Box in Williamsburg until October 30th.
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